What is the Gutai movement?
Gutai were a Japanese avant-garde group formed in 1954 whose radical ideas and approaches to making art anticipated later performance and conceptual art of the 1960s and 1970s.
What was the goal of the Gutai movement?
As stated in the manifesto, Gutai art aspires “to go beyond abstraction” and “to pursue enthusiastically the possibilities of pure creativity.” The goal of Gutai is “that by merging human qualities and materials properties, we can concretely comprehend abstract space.”
What did the Gutai group believe to be the most important fundamental aspect of art?
We believe that by merging human qualities and material properties, we can concretely comprehend abstract space.” “Gutai Art does not alter matter. And this is the natural course of the history of art.”
Where was the experimental Gutai group located?
The Gutai group initially consisted of around 20 young artists who were brought together in the town of Ashiya, near Osaka, by Jiro Yoshihara, the scion of a family made wealthy by food oils.
What did the Japanese Gutai group focus on?
the freedom of expression
The Gutai group strongly leaned on the freedom of expression, creating art like it’s never been done before, connecting the whole world within a sole “collective spirit of individuality” where the principles of a community consciousness were crucial, yet encouraged and gave way to individual paths.
What artistic movement influenced Gutai artists the most?
Gutai artists were strongly influenced by European and American artists of the day, particularly Jackson Pollock and the European Art Informel movement.
How did abstract art change the world?
Abstract Expressionism They changed the nature of painting with their large, abstract canvases, energetic and gestural lines, and new artistic processes. With these unconventional ways of painting, the Abstract Expressionists sought new forms of self-expression and personal freedom in their work.
What is the goal of abstract art?
Abstract art enables the artist to perceive beyond the tangible, to extract the infinite out of the finite. It is the emancipation of the mind. It is an exploration into unknown areas.” Abstraction finds its roots in ‘intuition’ (of the artist) and ‘freedom’ (for the artist as well as for the viewer).
